Richard Prince emerged in the 1980s as one of America's new, highly innovative artists who worked with the margins of American subcultures and visual debris. Highly idiosyncratic subject matter - such as one-line jokes, cartoons, cowboys (borrowed from the Marlboro ads) and motorcycle gangs - are central to his work. In the late 1970s Prince was working for the cutting services of Time Life publications in New York, and had.
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